On this podcast, award-winning Philadelphia-based playwright Jacqueline Goldfinger talks about her newest production, The Arsonists. This "play with music" marks the third and final installment of her Southern Gothic trilogy, after The Terrible Girls and Skin and Bone. A National New Play Network (NNPN) rolling world premiere, it will open first under the aegis of Azuka Theatre Company and then head to theaters around the country.

Swamp things

Goldfinger grew up in rural Florida and, captivated by the region's literature and music, decided the Southern Gothic form was worefully underutilized onstage. The Arsonists, inspired by Sophocles's tragedy Elektra, follows a father-daughter arson team who reside deep in Florida's swamplands. A live band will play during the show and, on certain nights, give concerts afterward. Here, Goldfinger discusses how the play and its predecessors came to be, NNPN's rolling premiere process, and much more.

This week, we grabbed our magnifying glasses and followed the clues to New Paradise Laboratories' site-specific mystery Gumshoe, which takes place deep in the bowels and throughout the corridors of the Free Library of Philadelphia. Afterward, we went even further and tracked down the company's innovative founder and artistic director, Whit MacLaughlin.

On the case

MacLaughlin, who arrived in Philadelphia after more than 20 years with the Bloomsburg Theatre Ensemble, brought New Paradise Laboratories' (NPL) founding ensemble here in 1996. Some of the company's members have gone on to become this city's most recognizable onstage faces (Lee Ann Etzold, Jeb Kreager, Matt Saunders, Mary McCool), and the company and its members have also seen much success in New York (NPL won an Obie Award for 2000's The Fab 4 Reach the Pearly Gates) and elsewhere. NPL has created roughly one original work per year since its founding, and this year, they've paired with the Free Library and Rosenbach Museum to present Gumshoe. Listen in to learn the difference between fact, fiction, and falsehood, and -- perhaps most importantly -- how to escape a maze.

On this podcast, PlayPenn artistic director Paul Meshejian discusses the PlayPenn Annual Conference. I spoke with Meshejian in 2013 about the conference; since then, many plays that have been workshopped there have helped shaped the national conversation around contemporary theater. These new plays transfer from the conference to regional stages, and J.T. Rogers’s drama Oslo, about the negotiations surrounding the Oslo Accords, opens on Broadway April 13, 2017, featuring New Paradise Laboratories founding member and longtime Philly actor Jeb Kreager.

The highlight reel

PlayPenn describes itself as "an artist-driven organization dedicated to improving the way in which new plays are developed. Employing an ever-evolving process, PlayPenn creates a relaxed tension within which playwrights can engage in risk-taking, boundary-pushing work free from the pressures of commercial consideration."

Some of the conference's esteemed graduates and awards include:

• MacArthur Fellowship: Samuel D. Hunter (PlayPenn 2010)

• Whiting Award: James Ijames (PlayPenn 2013, 2015)

• Guggenheim Fellowship: Gabriel Jason Dean (PlayPenn 2013), Jordan Harrison (PlayPenn 2005), J.T. Rogers (PlayPenn 2005, 2009, 2015)

• Lilly Award for Playwriting: Lucy Thurber (PlayPenn 2005)

• Pew Fellowship: James Ijames (PlayPenn 2013, 2015)

• Sky Cooper Prize for American Playwriting: Samuel D. Hunter (PlayPenn 2010), Martin Zimmerman (PlayPenn 2012)

• American Theatre Critics Association's Osborn Award: Jonathan James Norton (PlayPenn 2012)

• Susan Smith Blackburn Prize: Sheila Callaghan (PlayPenn 2005)

• Terrence McNally New Play Award: James Ijames (White, 2015)

• Barrymore Award for Best New Play: R. Eric Thomas (Time Is on Our Side, PlayPenn 2015), Michael Hollinger (Ghost-Writer, PlayPenn 2009), Jacqueline Goldfinger (Slip/Shot, PlayPenn 2011)

• Top 10 Plays, New York Times: J.T. Rogers (Oslo, PlayPenn 2015; Blood and Gifts, PlayPenn 2009)

• Top 10 Plays, Time Magazine: J.T. Rogers (The Overwhelming, PlayPenn 2005)