EST. 2009
Since 2009, our goal has been simple. We support, promote, engage and inspire the arts community by igniting the ghost light that shines on the stages of the up and coming, the unsung heroes, the brilliant writers and the dynamic designers. Stay Tuned! Rep Radio is “On The Air”!
Today on the podcast, we chat with the collaborators of the World Premiere production, The Tattooed lady, A New Musical on stage at Philadelphia Theatre Company. Here is my interview with Max Vernon and Erin Courtney for The Tattooed Lady, A New Musical.
ABOUT THE CREATORS
Erin Courtney (Book) is a New York based playwright. Her play, A Map of Virtue, was awarded an Obie and was nominated for a GLAAD Media Award for Outstanding New York Theater. Her play I Will Be Gone, premiered at the Humana Festival, Actors Theater of Louisville. She has written two operas with Elizabeth Swados: The Nomad and Kaspar Hauser, both commissioned and produced by The Flea Theater. Her other plays, produced by Clubbed Thumb, include Alice the Magnet, directed by Pam MacKinnon, and Demon Baby, directed by Ken Rus Schmoll. She is an affiliated artist with Clubbed Thumb, a member of the Obie Award winning playwrights collective, 13P, as well as the co-founder of the Brooklyn Writers Space.
Max Vernon (Book, Music, Lyrics & Orchestrations) is a musical theatre writer, whose works include The View UpStairs, KPOP (opening on Broadway this November!), The Tattooed Lady, and Show & Tell. They are a three-time Drama Desk nominee, Out100 Honoree, two-time MacDowell Fellow, Dramatist Guild Fellow, and recipient of the Lucille Lortel Award, Richard Rodgers Award, Jonathan Larson Grant, Pew Arts and Culture Grant, and New York Foundation of the Arts Fellowship, among others. They have also written work for Audible, Disney, Virgin Group, and Tyra Banks. Notable concerts include Joe’s Pub, the Kennedy Center, Lincoln Center, and The Metropolitan Museum of Art. They earned an MFA from NYU's Graduate Musical Theatre Writing Program. www.maxvernon.com IG: @frauleinsallybowels
FOR TICKETS AND INFORMATION: https://philadelphiatheatrecompany.org
A Leg Up
By Ken Kaissar
Director Amy Kaissar
September 20, 2022 – October 9, 2022
A world premiere comedy for the 21st century!
Initially slated for its world premiere in the 2019/20 season, this witty and outlandish story is a new comedy for the 21st century written as a traditional farce. In A Leg Up, Charles Griffin III (O’Neil) has staked what’s left of his fortune on the new Miraculous Knee-to-Toe XR-3000 with 3D Helix, an intelligent prosthetic leg, designed for a presidential candidate, Senator Sam Wannamead (Hogan). Unfortunately, his mistress Laurie (Hamilton) announces she’s pregnant, his business partner Stephanie (Alpert) has her eye on his wife Barbara (Maurer), and the Senator is having an affair with the leg designer Rufus (Robbins), and it’s not even lunchtime yet!
ABOUT MARLA ALPERT
Marla Alpert [She/They] is a seasoned actor and singer, having performed in the national tours of Jekyll and Hyde and Ragtime, as well as with the National Yiddish Theatre Folksbiene’s The Sorceress, and over a dozen regional shows throughout the country. She is also the host of her own podcast about legendary Broadway flops, Flop of the Heap, and is a regular content creator on TikTok, advocating for transgender representation in media and educating on trans issues. You can find her on Instagram or Tiktok, @thefloorismarlava.
For More Information: https://brtstage.org
This September, Bryn Mawr College Performing Arts Series will present the first career retrospective of theater artist Annie Dorsen titled Algorithmic Theater. The retrospective is part of a residency advancing Dorsen’s work and examining the consequences of digital communications through theater. Algorithmic Theater brings Dorsen’s work to Philadelphia audiences for the first time and features four of her past projects, including Hello Hi There (2010), Spokaoke (2012), A Piece of Work (2013), and Yesterday Tomorrow (2015). Together, these works tell a story about advancing technology, encroaching artificial intelligence, and post-anthropocentric art-making that attempt to reckon with the last decade of history.
Dorsen is a New York-based theater director and artist who works at the intersection of algorithmic art and live performance. Since 2010, she has built a body of work in what she’s referred to as “algorithmic theater,” creating custom algorithms that perform in lieu of or alongside human performers. The pieces position the digital world’s influence on our everyday lives in dialogue with classical dramatic forms to confront the consequences of our increasing entanglement with information technologies.
Algorithmic Theater will begin with a presentation of A Piece of Work on September 9 at 8 p.m. at McPherson Auditorium. Mixing live performance with algorithms and interfaces, A Piece of Work flips the switch between man and machine in a digital version of Hamlet for a post-humanist age. The spectators are absorbed in a swirl of connections amongst memory, language, and technology, implicating both the past and future of theater itself. New scenes, songs, scores, and visuals emerge from an intricate and ingeniously programmed web of technology that uses Shakespeare’s original text as data.
The next piece, Spokaoke, will be hosted on September 10 at 10 p.m. at the Marie Salant Neuberger Centennial Campus Center. Spokaoke is a participatory event that invites people to perform speeches as they would ordinarily perform songs in a karaoke bar. Speeches are, after all, songs of persuasion, argument, consolidation, or motivation. Over 90 speech videos are loaded into a karaoke system and arranged in a catalog for audience members to peruse. Participants will read various forms of public addresses, including political speeches, award acceptance speeches, press conferences, theatrical monologues, eulogies, and trial testimony. An additional presentation of Spokaoke will take place at FringeArts on September 16 at 10 p.m. as a part of this year’s Fringe Festival, featuring a special guest host.
The third piece, Hello Hi There, will be presented on September 10 & 11 at 8 p.m. at Hepburn Teaching Theater. Dorsen uses the famous television debate between philosopher Michel Foucault and linguist/activist Noam Chomsky from the 1970s as inspiration for a dialogue between two custom-designed chatbots. Material from the debate, along with additional text culled from YouTube, the Bible, Shakespeare, and western philosophy, is inputted into computer programs designed to mimic human conversation to create a new, “improvised” dialogue at each performance.
Finally, Algorithmic Theater will conclude with Yesterday Tomorrow at McPherson Auditorium on September 15 at 8 p.m., September 16 at 6 p.m., and September 17 at 8 p.m. In Yesterday Tomorrow, three singers receive computer-generated music and lyrics both aurally and visually. The algorithmically-produced score begins with the Beatles’ hit song “Yesterday” and slowly transforms into “Tomorrow” from the musical Annie. Inspired by an artificial intelligence known as evolutionary computation, Yesterday Tomorrow gives a unique experience of the complexity and unpredictability of the present tense contrasted with the known past and the imagined future. Each night, the spatial and musical path from the past to the future is different; neither the singers, creative team, nor the audience knows the route the performance will take them.
Free tickets will be available to students from the Tri-College Consortium (Bryn Mawr, Haverford, and Swarthmore) and can be reserved by calling 610-526-5300, or emailing reservations@brynmawr.edu.
General admission tickets for Algorithmic Theater performances will be available online for $20, $18 for seniors (65+), $10 for students (not from the Tri-College Consortium), and $5 for children under five.
In addition to presenting performances, Bryn Mawr College Performing Arts Series will release an accompanying publication titled Algorithmic Theater: Essays and Interviews, 2012-2022. The publication highlights the last decade of Dorsen’s work, and a limited number of copies will be available to the public for free. Edited by writer and theater critic Tom Sellar, the book features essays by Dorsen as well as illuminating conversations with her collaborators. It also includes a collection of essays previously published in journals, monographs, and anthologies by Miriam Felton-Dansky, Jacob Gallagher-Ross, Sarah Bay-Cheng, W.B. Worthen, and Johannes Birgfeld.
ABOUT ANNIE DORSEN:
Annie Dorsen is a director and writer whose works explore the intersection of algorithms and live performance. Her most recent project, Infinite Sun (2019), is an algorithmic sound installation commissioned by the Sharjah Biennial 14. Previous performance projects, including The Slow Room (2018), The Great Outdoors (2017), Yesterday Tomorrow (2015), A Piece of Work (2013), Spokaoke (2012), and Hello Hi There (2010), have been widely presented in the US and internationally.
FOR MORE INFORMATION: https://anniedorsen.digital.brynmawr.edu and https://anniedorsen.com/
Today on the podcast, GUNNAR MONTANA returns to talk about the latest FringeArts offering, BATHHOUSE. Here is my interview with Gunnar Montana.
Designed as a temple to the fluid nature of sexuality, BATH HOUSE is a deeply sensory immersive theatrical experience dripping with erotic energy from start to finish. BATH HOUSE fuses dance and movement to create an atmosphere where guests are free to indulge their deepest desires, and perhaps even discover new ones.
VIP Packages Available: The VIP Table Experience is the ultimate way to get up close and personal with Gunnar and the BATH HOUSE cast. The Experience includes (4) VIP table seats, (4) official BATH HOUSE t-shirts, a bottle of champagne for your table, and a post-show meet and greet with the cast. Check ticket page for VIP options.
FOR MORE INFORMATION: https://www.gunnarmontana.com
$30,000 Fundraising initiative. How far along are you?
How can our listeners get involved and support the initiative?
The funds raised will allow JUNK to provide equitable access for the community by providing free and discounted ticketing for artists and LGBTQIA and HIV+ communities.
The SEASON:
Thu, Sep 8, 2022 Sat, Sep 17, 2022
Concourse Dance Bar (map)
Lust for exposure and success turns… TRAGIC.
Set in an underground shopping mall turned nightclub, Junk’s newest experience, Luster, reveals the twisted nature of reality show competition and begs the question, “Where do we draw the line?”
Luster gives patrons a behind-the-scenes look into the making of TRAGIC, a streaming show where aspiring reality TV producers are looking to make their mark in the edgy new world of internet reality TV. Luster begins by giving audiences a look behind the camera during a live broadcast of the TRAGIC Season Two finale featuring five competing teams.
The plotline begins after Season One, which featured off-the-wall ideas with a cast of circus performers who competed in front of a crowd on equipment and apparatuses they had never used before. Season Two's production team needs to find new ways to create a show filled with even more outrageous and dangerous layers of competition. In the inaugural season of TRAGIC, every on-camera accident made ratings jump. The more the performers suffered mentally and physically, the more people tuned in. This year, producers and sponsors want something sexy and erotic, gritty but graceful. TRAGIC centers on pushing the envelope, with contestants focused on driving high ratings with provocative and daring performances.
Emotions will run high as five teams, StripperX, Face Punch, The Inappropriators, Gothic Drip, and the Gayties, battle it out to compete for a top-secret first-place prize. Luster audiences are encouraged to vote for their favorite team but with caution, as there is always a twist on TRAGIC.
Saturday, January 21, 2023
Our annual fundraiser
Fri, Mar 10, 2023 Sun, Mar 12, 2023
The Philadelphia Orchestra
Experience the great Russian composer Rodion Shchedrin’s Carmen Suite as never seen before, with the help of the riveting Philadelphia-based dance company Brian Sanders’ JUNK. The dance theme continues with Stravinsky’s Firebird Suite, a colorfully melodic and spectacular score written for the Ballets Russes that made an overnight star of the young composer.
FOR MORE INFORMATION: https://briansandersjunk.com
EST. 2016
Broad Street Review, Philly's home for arts, culture, and conversation,
an online arts and culture journal covering the greater Philadelphia area.
Join us in reflecting on the resilience, history, and stories that shape us, as The Great Privation reminds us of the ongoing fight for justice and community. This powerful production runs through June 14th—grab your tickets and be part of the conversation.
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Discover how artistic innovation, historical reverence, and personal storytelling intertwine in Franklin’s Key. Don't miss the upcoming performances at the Plays and Players Theatre from June 11-28. Whether you’re a local or visiting, this production invites all to rethink Philadelphia’s past through a lively, magical lens.
FOR MORE INFORMATION:
# Class C: A Reflection on Theatre's Power and Relevance in 2026Join us for an in-depth conversation with playwright Chaz T. Martin as we explore the profound themes, production insights, and societal reflections embedded in the world premiere of Class C. This episode delves into the play’s relevance, its production journey, and the powerful role of theatre in shaping and challenging societal norms.
FOR TICKETS AND INFORMATION: https://www.azukatheatre.org/class-c
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Celebrating Joy and Craftsmanship in Theatre: A Conversation with Director Amina Robinson on 'Ain't Misbehavin'
Join us as we explore the vibrant world of musical theatre through the insights of director Amina Robinson. This episode highlights the creative process behind the revival of 'Ain't Misbehavin' at Theatre Horizon, emphasizing collaboration, artistic choices, and the importance of community connection in theatre.
Created and Originally Directed by Richard Maltby, Jr.
Conceived by Richard Maltby, Jr. and Murray Horwitz
Directed by Amina Robinson
Amina Robinson – Barrymore award-winning director of Theatre Horizon’s The Color Purple – returns to helm this electrifying world of the Harlem Renaissance, where the music was hot, the nights were alive, and every spotlight shone with possibility.
Ain’t Misbehavin’, the Tony Award-winning celebration of Fats Waller, brings the era’s jazz houses and juke joints to life with an unforgettable evening of romance, humor, dance, and pure joy. Featuring timeless hits like “Honeysuckle Rose,” “It’s a Sin to Tell a Lie,” “I Can’t Give You Anything but Love,” and the iconic “Ain’t Misbehavin’,” this dazzling show honors a musical genius who forever changed the sound of American music.
FOR TICKETS AND INFORMATION: https://theatrehorizon.org
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Exploring the Power and Evolution of Opera with Davóne Tines and 'The Black Clown'This episode delves into the making of The Black Clown, a groundbreaking opera piece inspired by Langston Hughes, co-created by renowned artist Davóne Tines. Discover how this work intertwines historical trauma, artistic innovation, and cultural storytelling, and what it reveals about diversity and expression in contemporary opera.
FOR TICKETS AND INFORMATION:
https://www.operaphila.org/whats-on/2526-season/the-black-clown/
https://operaphila.org/about/news-press/pressroom/2026/the-black-clown/
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https://bio.site/em3ry
EST. 2022
Let’s talk about the business of the day as it relates to Theater with your hosts
Darnelle Radford (Philadelphia) and Mitch Weiss (NYC). This is The Business of Theater, A Working Title.
This conversation explores the challenges faced by theater artists, including financial struggles, the impact of the pandemic, and the importance of equitable wages and housing. The hosts discuss the role of arts organizations in supporting artists and the need for community and support within the theater industry. They also address the challenges of funding and budgeting for theater, emphasizing the importance of growth and sustainability for the future of the industry.
Subscribe to the podcast wherever you listen to podcasts. Share the podcast with a friend, colleague or give us some social media love.
This podcast is an Em3ry production.
Visit us online at https://em3ry.com/tbot. Follow us on Facebook and Instagram at “em3ryotm”.
In this conversation, Mitch Weiss and Darnelle Radford explore the captivating elements of storytelling in cinema, particularly focusing on the transformative power of films like 'The Wizard of Oz'. They discuss how characters and narratives engage audiences, turning them into passionate fans and 'nerds' of the story.
Subscribe to the podcast wherever you listen to podcasts. Share the podcast with a friend, colleague or give us some social media love.
This podcast is an Em3ry production.
Visit us online at https://em3ry.com/tbot. Follow us on Facebook and Instagram at “em3ryotm”.
The conversation delves into the challenges faced by creative artists in the industry, particularly focusing on the competitive nature of festivals and the lack of support for artists trying to develop their work. It highlights the need for better systems to help artists promote their concepts and scripts effectively.
Subscribe to the podcast wherever you listen to podcasts. Share the podcast with a friend, colleague or give us some social media love.
This podcast is an Em3ry production.
Visit us online at https://em3ry.com/tbot. Follow us on Facebook and Instagram at “em3ryotm”.
In this conversation, Darnelle Radford and Mitch discuss the multifaceted nature of the theater industry, focusing on the financial aspects, the challenges of accessibility, and the importance of creativity and entrepreneurship. They explore the changing landscape of Broadway, the struggles of theater management, and the journey of actors navigating their careers. The discussion emphasizes the value of experience, mentorship, and the need for a proactive approach in the theater world. In this conversation, Darnelle Radford and Mitch Weiss explore the complexities of the theater industry, focusing on the value of internships, the financial landscape of Broadway, and the challenges of ticket pricing. They discuss the impact of nonprofit versus for-profit theater, the importance of community engagement, and the need for a balance between artistic integrity and financial sustainability. The conversation highlights the evolving expectations of audiences and the necessity for theaters to adapt to changing economic conditions while maintaining accessibility.
In this conversation, Darnelle Radford and Mitch discuss the challenges facing the theater industry, particularly in attracting audiences post-pandemic. They explore the importance of community engagement, the impact of Broadway on regional theaters, and the need for theaters to establish their unique identities. The discussion also touches on the effectiveness of membership and subscription models in fostering audience loyalty and the necessity of creating enriching experiences for theatergoers. In this conversation, Mitch and Darnelle explore the challenges faced by theater companies in engaging audiences, the importance of community connections, and the balance between work and passion in the theater industry. They discuss the changing landscape of employment in theater, the financial dynamics of Broadway, and the need for community support to ensure the future of the arts.
In this engaging conversation, Darnelle Radford and Mitch Weiss explore the intricate world of theater, touching on the recent Oscars, the impact of Broadway shows like Wicked, and the challenges faced by the industry in terms of pricing, audience engagement, and the evolution of live performances in the age of streaming. They discuss the disconnect between award shows and the general public, the rising costs of theater productions, and the prevalence of adaptations in musical theater, all while emphasizing the unique experience that live performances offer. In this conversation, Darnelle Radford and Mitch discuss the evolution of musical theater, the challenges of adaptations, and the unexpected hurdles faced in theater production. They explore the importance of understudies, the changing role of directors, and the courage required to take risks in theater. The discussion also touches on the impact of COVID-19 on the theater landscape and the ongoing issues of accessibility and inclusivity within the industry.
In this conversation, Darnelle Radford and Mitch discuss the challenges facing the theater industry, particularly in light of funding cuts and the impact of government policies on the arts. They explore the cultural landscape of Buenos Aires, the importance of arts in society, and the ongoing protests against political decisions affecting theater. The discussion highlights the need for community support and the role of artists in advocating for their craft. In this conversation, Darnelle Radford and Mitch discuss the complexities of the theater industry, focusing on the challenges of funding, the importance of resilience, and the need for trust within the arts community. They explore the balance between commercial and nonprofit theater, the impact of funding cuts, and the necessity of taking risks in artistic production. The dialogue emphasizes the importance of accessibility in the arts and the lessons learned from failures, ultimately advocating for a more supportive environment for artists.
In this conversation, Darnelle Radford and Mitch discuss the current state of theater funding, the impact of the Grammy Awards, the challenges faced by artists, the importance of communication in the arts, and the stressful moments that arise in theater production. They also explore the resilience of theater artists, the role of general managers, and the chaos that can ensue during productions. The conversation highlights the complexities of the theater industry and the need for effective communication and decision-making. In this conversation, Mitch and Darnelle explore the multifaceted challenges of theater production, from attracting audiences to the impact of streaming services and the importance of star power. They discuss the evolution of marketing strategies, the chaos of production, and the future of funding in the arts. The conversation highlights the stress and complexities faced by theater professionals while also celebrating the joy and excitement of successful productions.
In this conversation, Darnelle Radford and Mitch Weiss explore the complexities of the theater industry, discussing the importance of recognizing excellence through awards, the challenges of engaging audiences, and the marketing strategies necessary for success. They delve into the role of nonprofit organizations, the impact of grant dependency, and the future of theater as a for-profit venture. The discussion highlights the need for a deeper understanding of the audience and the importance of promoting not just individual shows but the theater community as a whole. In this conversation, Mitch and Darnelle explore the complexities of branding and audience engagement in the theater industry, particularly for nonprofits. They discuss the importance of clear communication and visibility, the challenges of subscription models, and the unique branding needs of smaller theater companies. The conversation also touches on the evolution of Broadway, the impact of the pandemic on audience selectivity, and the necessity for theater companies to have a clear mission and purpose to thrive in the future.
In this conversation, Darnelle Radford and Mitch discuss the current state of theater, focusing on financial challenges, donor appeals, ticket pricing, and the dynamics of nonprofit theaters. They explore the impact of rising ticket prices on audience engagement and the necessity for community building within the theater space. The discussion also highlights the importance of effective marketing and scheduling to enhance audience attendance and support for theater productions. In this conversation, Mitch and Darnelle discuss the impact of the pandemic on theater communities, the importance of storytelling, and the need for nonprofits to engage younger generations. They explore the financial challenges faced by theaters, the significance of audience engagement, and the anticipation surrounding upcoming productions like Wicked. The discussion emphasizes the need for innovation and relevance in theater to attract and retain audiences.
Today on the podcast, we continue to dance through life as many changes are coming and our thoughts are flooding our brains. That and the business as we look towards the end of the year.
Subscribe to the podcast wherever you listen to podcasts. Share the podcast with a friend, colleague or give us some social media love.
This podcast is an Em3ry production.
Visit us online at https://em3ry.com/tbot. Follow us on Facebook, Twitter and Instagram at “em3ryotm”.
Today we talk about you being the business in order to make it in the industry and the world. The paths laid before us are blueprints to give us some direction, How many really take that in? This and more as we get down to business.
Today, we offer our biased opinions on starting out…again. Whether as artist or administrator, the path is different with many similarities. Let’s get down to business.
Subscribe to the podcast wherever you listen to podcasts. Share the podcast with a friend, colleague or give us some social media love.
This podcast is an Em3ry production.
Visit us online at https://em3ry.com/tbot. Follow us on Facebook, Twitter and Instagram at “em3ryotm”.
Today on the podcast, Alan Harrison returns to talk about the continuation of his book series, “SCENE CHANGE” with part 2, The Five Responsibilities Of Nonprofit Arts Boards. Here is our chat with Alan Harrison for Scene Change 2.
TO LEARN MORE ABOUT ALAN HARRISON AND SCENE CHANGE: https://501c3.guru
On today’s podcast, we return from summer break to catch on the changes in the business and the lives lost over the summer.
BROADWAY FLEA MARKET
FOR GOOD: Broadway Flea Market & Grand Auction raised a record-breaking $1,421,675 for Broadway Cares/Equity Fights AIDS.
LOTTERIES (Eating TKTS’ lunch)
Any updated theater books?
OFF-BROADWAY is Booming - https://www.fox5ny.com/news/off-broadway-week-is-back-heres-what-shows-participating
THE FARM - We Grow Theater - https://www.wegrowtheater.com/
SUMMER STOCK - https://en.wikipedia.org/wiki/Summer_stock_theater
Supreme Court - Ownership of Artistic
Carol Burnett - https://playbill.com/article/what-happened-when-carol-burnett-fell-asleep-onstage-in-once-upon-a-mattress
ALL THINGS WE EVER DID ARE LEFT BEHIND
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Gavin Creel - https://playbill.com/article/tony-winning-actor-gavin-creel-passes-away-at-48
“Gavin Creel, Beloved Tony-Winning Star of Hello, Dolly!, Thoroughly Modern Millie and More, Dies at 48” by Broadway.com’s Hayley Levitt - “Tony Award winner Gavin Creel, who launched his celebrated Broadway career as Jimmy Smith in Thoroughly Modern Millie and whose stage credits include She Loves Me, Hello, Dolly! and Into the Woods, died at home in Manhattan on September 30. His death was confirmed by his partner, Alex Temple Ward. He had been diagnosed with a rare and aggressive form of sarcoma in July, receiving treatment at Memorial Sloan Kettering before moving to hospice care at home. He was 48.” https://bway.ly/4husdd
INTO THE WOODS, THOROUGHLY MODERN MILLIE, SHE LOVES ME
Ken Page - https://playbill.com/article/beloved-baritone-ken-page-dies-at-70
CATS, THE WIZ, THE NIGHTMARE BEFORE CHRISTMAS
Adrian Bailey - https://playbill.com/person/adrian-bailey-vault-0000031982
THE LITTLE MERMAID
Maggie Smith - https://playbill.com/person/maggie-smith-vault-0000066955
LETTICE AND LOVAGE
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WORKING TITLE: THE CIRCLE OF LIFE
TBOT_S03E08 - The Circle Of Life
The Business of Theater, A Working Title
In this conversation, Darnelle and Mitch discuss the 15th annual Jimmy Awards, a high school level Tony Awards. They also talk about the reinterpretation of musicals, such as Cats and Company, and the value of learning the history of musical theater.
They explore the idea of infusing different styles, like ballroom culture, into musicals and the importance of advancing the art form. They also touch on the challenges of updating classic musicals and the impact of gentrification on storytelling.
The conversation covers various topics related to the arts, including the impact of remakes and new versions of movies, the significance of costume design in films, the erasure of certain actors in marketing campaigns, the challenges faced by artists in the theater industry, the importance of arts education, and the power of storytelling in theater.
The hosts also discuss the closure of a college in Philadelphia and the implications for arts and culture in the city. They touch on the role of politics in funding for the arts and the need for a well-rounded education that includes the arts. The conversation concludes with a mention of the upcoming production of Disney's Hercules on the West End and the historical trend of shows starting in London before coming to Broadway.
Chapters
00:00 Introduction and Podcast Naming
03:32 The Talent and Level of Performance at the Jimmy Awards
07:44 Reinterpreting Musicals: Bringing New Life to Familiar Stories
13:03 Infusing Ballroom Culture into Musicals
16:11 Challenges of Updating Classic Musicals
24:18 The Impact of Remakes and New Versions of Movies
26:09 Challenges in the Theater Industry
29:17 The Importance of Arts Education
32:28 The Closure of a College and its Implications
35:09 The Role of Politics in Arts Funding
37:25 The Need for a Well-Rounded Education
46:37 The West End as a Tryout Venue for Broadway Shows
Subscribe to the podcast wherever you listen to podcasts. Share the podcast with a friend, colleague or give us some social media love.
This podcast is an Em3ry production.
Visit us online at https://em3ry.com/tbot . Follow us on Facebook, Twitter and Instagram at “em3ryotm”.
The hosts discuss the recent Tony Awards and the challenges faced by the theater industry. They highlight the importance of supporting artists and the need for infrastructure to sustain their careers. They also explore the idea of universal theater that can resonate with diverse audiences. The conversation touches on the financial struggles of artists and the need for funding and mentorship.
Subscribe to the podcast wherever you listen to podcasts. Share the podcast with a friend, colleague or give us some social media love.
This podcast is an Em3ry production.
Visit us online at https://em3ry.com/tbot . Follow us on Facebook, Twitter and Instagram at “em3ryotm”.
The conversation discusses the financial challenges and communication issues faced by arts organizations, particularly in the theater industry. It highlights the impact of funding delays, lack of transparency, and the struggle to sustain operations. The conversation also delves into the need for better financial planning, realistic budgeting, and improved communication with donors and supporters.
Subscribe to the podcast wherever you listen to podcasts. Share the podcast with a friend, colleague or give us some social media love.
This podcast is an Em3ry production.
Visit us online at https://em3ry.com/tbot . Follow us on Facebook, Twitter and Instagram at “em3ryotm”.
The hosts discuss the Tony Awards and other theater awards, including the Outer Critics Circle Awards and the Drama Desk Awards. They talk about the inundation of nominations and the lack of awareness among Broadway fans about these other awards.
They also discuss the snubs and overlooked shows in this year's nominations, including 'Once Upon a One More Time' and 'How to Dance in Ohio'. They question the criteria for the awards and the marketing strategies for Broadway shows. The conversation ends with a prediction that many shows will close after the Tony Awards. The conversation covers various topics related to Broadway shows, Tony Awards, and the challenges of promoting theater productions.
The conversation explores the idea of nonprofit arts organizations shifting their focus from producing art to producing impact. The guest, Alan Harrison, shares his experience working in the nonprofit arts industry and discusses the need for arts organizations to align their work with the needs of the community. He emphasizes the importance of demonstrating measurable results and social value to justify the nonprofit status. The conversation also touches on the challenges of fundraising and the role of money in producing art. The guest's book, 'Scene Change: Why Today's Nonprofit Arts Organizations Have to Stop Producing Art and Start Producing Impact,' serves as a foundation for the discussion.
In this conversation, Darnelle and Mitch discuss various topics related to theater, including the challenges of naming their podcast, the quality of certain movies, the history of their podcast, the importance of preparation, the state of the theater industry, audience behavior, and upcoming shows on Broadway. In this conversation, Darnelle and Mitch discuss the importance of reviving shows with new perspectives and changes.
Celebrating our 50th Episode!
This conversation explores the challenges faced by nonprofit theaters in terms of funding and sustainability. It discusses the need for a new funding system and the importance of community support. The conversation also delves into the struggle of artists to make a living in theater and the need for creativity and adaptability. The role of marketing and promotion in generating interest and excitement for new shows is explored, along with the impact of long-running shows on new productions. The conversation concludes with a discussion on finding innovative ways to market live theater.
In this conversation, Mitch Weiss and Darnelle Radford discuss various topics related to theater. They share their theater experiences, including seeing the national tour of Frozen and Dreamgirls at the McCarter Theater. They also talk about the importance of opening nights and creating a special experience for the audience.
In this conversation, Mitch Weiss and Darnelle Radford discuss the relevance of award shows in the theater industry and the challenges faced by the theater community. They explore the need for subsidization in theater and the impact of ticket prices on accessibility. They also touch on the widening gap between the rich and the poor and its effect on the arts.
In this conversation, Darnelle and Mitch discuss potential working titles for their podcast and the challenges of finding the right one. They also talk about the production of Little Shop of Horrors and the practice of replacing leads in long-running shows.
In this conversation, Mitch Weiss and Darnelle Radford discuss various topics related to the business of theater. They talk about the high cost of Broadway tickets and the challenges of opening new productions. They also explore the changing audience for theater and the decline in Broadway theaters.
In this conversation, Mitch Weiss and Darnelle Radford discuss the challenges and issues facing the theater industry. They explore topics such as resistance to change, work conditions, budgeting, audience expectations, the influence of celebrity, the need for development of new works, and the importance of fundraising and planning.
We are looking optimistically into the new year. We are hopeful that our community will thrive and we are looking forward to what is ahead…We may also be crazy.