Health and wellness are a huge part of everyday life. Of course, we know that the life of an artist can be an adventure. If only there were a team of dedicated artists who understand the plight and has a direct focus on the maintenance required to be a working artist. That is what I sought to find out when I sat down with Theatrical Trainer, a Personal Training Company by Theatre artists, for theatre artists and beyond. With the understanding of be working artists combined with health and wellness practices, all signs point to, let’s find out. So, here’s our interview with Theatrical Trainer at Rep Radio, Studio D, for The Drake. Stay Tuned!

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So, I am pretty organized. To a point that I prefer to do only one interview a day. I want to make sure that if anything comes up, I have more than enough time to adjust to any changes. So, I scheduled this interview with Dito van Riegersberg about 1812’s production of Buyer & Cellar. I only knew about the play because my time in NYC would include passing the theatre this production was in on many occasions. A one-person show was so engaging that it was sold out most nights and continued to be extended.

ABOUT BUYER & CELLAR

Just fired from a stint working at a California theme park (mouse ears, anyone?), Alex More is an underemployed actor looking for a new gig when, out of the blue, the biggest piece of theatre in the world just happens to find him.

Welcome to Barbra Streisand’s private shopping mall. We hope you enjoy your visit.

LEAPS OF FAITH AND OTHER MISTAKES

From the company behind Exile 2588 comes a re-envisioning of Almanac’s acclaimed tale of sublime human idiocy, isolationist seafarer cults, & the absurdity of believing too hard. Breathtaking acrobatics & earnest theatricality combine with brand new live music. What do people do when they find themselves lost at sea?

ABOUT ALMANAC DANCE CIRCUS THEATRE

Called “The little dance theatre troupe that could” by Philadelphia's City Paper, Almanac was founded in 2013 by Nick Gillette and Ben Grinberg, graduates of the Pig Iron School for Advanced Performance Training, with Adam Kerbel, a graduate of the Headlong Performance Institute. The company pursues present performance at the edge of what is possible, through playful honesty.

Since its founding, Almanac has performed for tens of thousands across eleven states and in Mexico, from street fairs to the Philadelphia Museum of Art, elementary school assemblies to private parties and events. They were selected as 2013-2014 Fresh Tracks Artists at New York Live Arts, were the first resident company at the Philadelphia School of Circus Arts, and are artists-in-residence at Mascher Space Co-Op. Their work has been presented by FringeArts, NYU Skirball Center/Circus Now!, Trinity Rep, the International Festival of Contemporary Dance of Mexico City, the Faux/Real Festival, Colgate University, Reading Terminal Market, Bearnstow, Pig Iron Theatre Company, the University City District, Automatic Arts, and New York Live Arts, among others.

On today’s podcast, I met with Kash Goins before a rehearsal of the GoKash OnSTAGE production of 74 Seconds…toJudgement, in residence at Arden Theatre Company. The Philadelphia based African American theatre company, established in 2008 by producer Kash Goins, seeks to make space for stories that speak to our collective state of being. We use our passion to reach out, sometimes in desperation, to build understanding and connect the humanity we all share. We seek to help stimulate dialogue which heals and enlightens. GoKash OnSTAGE presents independent, published and world premiere theatre productions.

ABOUT 74 SECONDS…TO JUDGEMENT

What is “Justifiable Homicide”? What roles do paranoia, race, and fear play in a split decision to kill? Should social class, personal histories, or individual assumptions factor into a months’ long evaluation of justice? Is there enough space for the application of law in a killing which takes seconds to commit? Who are we, who decide? How are we to decide?

In the next installment of his justice series, “Seventy IV Seconds… to judgment”, Kash Goins introduces us to a jury of 6 who have been deadlocked for over a week. In an attempt to uncover the truth buried in the facts as presented in the case, the youngest juror who is not much different than a central figure in the killing, offers a unique tactic. An exercise purposed to move the jury beyond feelings which are buried beneath the cover of what they’ve come to accept as their personal truths. To be heard. To listen. To process the law as instructed.