TBOT_S04E16 - HEART HUSTLE SURVIVAL
This conversation explores the challenges faced by theater artists, including financial struggles, the impact of the pandemic, and the importance of equitable wages and housing. The hosts discuss the role of arts organizations in supporting artists and the need for community and support within the theater industry. They also address the challenges of funding and budgeting for theater, emphasizing the importance of growth and sustainability for the future of the industry.
Chapters
00:00 Introduction to the Business of Theater
02:32 Financial Constraints in Theater
05:27 The Hustle: Balancing Theater and Other Work
07:53 Income and Wage Disparities in Theater
10:42 Housing and Living Conditions for Theater Workers
13:33 The Impact of Location on Theater Work
16:22 Funding and Compensation in the Arts
18:52 The Future of Theater: Balancing Art and Economics
21:33 The Importance of Workplace Environment
24:13 Caring for Artists and Staff
26:09 Union Standards and Compensation
28:09 The Role of Small Gestures in Management
29:56 Budgeting and Financial Challenges in Nonprofits
31:37 Growth and Purpose in Theater Organizations
33:08 Compensation and Financial Sustainability
35:57 The Value of Frontline Staff
38:35 Opportunities for Growth and Development
42:29 Navigating Financial Constraints in Theater
LINKS:
“Tom Stoppard, Master Playwright Whose Work Spanned Six Decades, Dies at 88” by Broadway.com’s Beth Stevens - “Stoppard wrote more than 30 plays, building a body of work that blended big ideas with theatricality. His breakthrough Rosencrantz and Guildenstern Are Dead was first staged at the Edinburgh Fringe Festival in 1966. It then moved to the National Theatre and later to Broadway, where the comic riff on two minor characters from Hamlet won the Tony Award for Best Play in 1968. ... His plays soon became fixtures on Broadway.
His work also earned major acclaim in London where he received three Olivier Awards (for Arcadia, Heroes and Leopoldstadt). The Royal Court, the National Theatre and the West End all staged his plays throughout his career and helped build his reputation across the U.K. He was knighted in 1997 and became one of the most honored dramatists in British theater.” https://bway.ly/qr6roa
“It’s a Homophobic Slur. What’s It Doing in So Much Theater?” by The New York Times’ Erik Piepenburg - “Adam Greenfield, the artistic director of Playwrights Horizons, where “Prince F****t” had its premiere this summer in a Soho Rep co-production, said our relationship to a play starts when we first hear about it. That’s especially true with “Prince F****t.” “Whether it’s distaste or anxiety or intrigue, the title positions you in the play before you know anything about it,” he said.” https://bway.ly/y7sqyo
Heart, Hustle, Survival - Report Sheds Light on Realities of Making a Living and a Life in the Theatre
https://www.tcg.org/Web/News/Press-Releases/new-report-hhs.aspx
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