BSR PODCAST | BLOG | ARCHIVES
BSR_S10E31 - JAMES IJAMES
The conversation covers James Ijames' life post-Fat Ham, his role in teaching playwriting and living in New York, the Philadelphia theater scene, the James Ijames Pass, his response to Arden's presentation of Good Bones, writing and scale, creating an anthology and writing process, and interpreting the play on stage. The takeaways include the balance of entertainment and depth in writing and the impact of personal experiences on writing. The conversation explores the transformative power of tiny steps and the importance of community and connection. It delves into the themes of generational shifts and legacy, the formula for a Pulitzer Prize-winning play, and the management of multiple projects and ideas.
Follow us and our links here:
BSR_S09E26 - A Summer Day - Wilma - Ross Beschler
Today on the podcast:
Ross Beschler drops in to talk about the Wilma Theater production, A Summer Day by Jon Fosse (Yuan FoSa), directed by Yury Urnov. Onstage through June 29th. Here is my interview with Ross Beschler for A Summer Day.
FOR TICKETS AND INFORMATION: https://wilmatheater.org/event/asummerday/
BSR_S09E06 - THE COMEUPPANCE - Taysha Marie Canales
Today on the podcast: Taysha Marie Canales, stops by to talk about the Wilma Theater co-production with Woolly Mammoth Theatre Company, The Comeuppance by Branden Jacobs-Jenkins. Extended On stage through December 14th. Here is my interview with Taysha Marie Canales for The Comeuppance.
BSR_S09E03 - Can I Be Frank? - Morgan Bassichis
A NEW PERFORMANCE BY MORGAN BASSICHIS
WITH ORIGINAL MATERIAL BY FRANK MAYA
DIRECTED BY SAM PINKLETON
MUSICAL RECREATIONS BY NATASHA JACOBS
SCENIC RECREATION BY ELI WOODS HARRISON
October 25–26, 2024
In a desperate attempt to prove they can think about someone other than themself, Morgan Bassichis revisits queer comedian, musician, and performance artist Frank Maya’s 1987 show, Frank Maya Talks. Maya was among the “first out gay comedians on network television” and on the precipice of mainstream success before his death from AIDS-related complications in 1995. This new “solo” performance humbly attempts to ensure Maya’s legacy is no longer overlooked while also resolving the bottomless queer search for laughter in times of crisis and for fame and father figures and intense attachment dynamics no matter how fleeting.
https://www.morganbassichis.com/
MORGAN BASSICHIS (They/Them) is a comedian, musician, and writer who has been called “a tall child or, well, a big bird” by The Nation and “fiercely hilarious” by The New Yorker. Their past performances include A Crowded Field (Abrons Arts Center, 2023), Questions to Ask Beforehand (Bridget Donahue, 2022), Don’t Rain On My Bat Mitzvah (co-created with Ira Khonen Temple, Creative Time, 2021), Nibbling the Hand that Feeds Me (Whitney Museum, NYC, 2019), Klezmer for Beginners (co-created with Ethan Philbrick, Abrons Arts Center, NYC, 2019), Damned If You Duet (The Kitchen, NYC, 2018), More Protest Songs! (Danspace Project, NYC, 2018), and The Faggots & Their Friends Between Revolutions: The Musical (co-created with TM Davy, DonChristian Jones, Michi Ilona Osato, and Una Aya Osato, New Museum, NYC, 2017).